The Lost Stradivarius J Meade Falkner Lily Mathew 9781541298682 Books
Download As PDF : The Lost Stradivarius J Meade Falkner Lily Mathew 9781541298682 Books
The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M.R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels.
The Lost Stradivarius J Meade Falkner Lily Mathew 9781541298682 Books
Read this book in one afternoon sitting, really enthalled with story line. Imagine relatives and an adult friend telling you about the Father you never met. Hard to imagine this author only wrote 3 books for publication but given all of the other things he accomplished in his life it is understandable. Meant to excell at everything he set his hand and mind to accomplish and did so! You will have to work through turn of the century phrases and terms but then that is the case with any book from this era. In addition to everything else it was FREE! I am older (66) so might appreciate this more than younger generation but will meet all the desires of any avid reader.Product details
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Tags : The Lost Stradivarius [J. Meade Falkner, Lily Mathew] on Amazon.com. *FREE* shipping on qualifying offers. The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object,J. Meade Falkner, Lily Mathew,The Lost Stradivarius,CreateSpace Independent Publishing Platform,1541298683,LITERARY COLLECTIONS General
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The Lost Stradivarius J Meade Falkner Lily Mathew 9781541298682 Books Reviews
The ghost story is by & large ideally realized as a short story or at most novella -- the greatest masters, such as M. R. James, never even attempted the novel form; & those who did both short stories and novels, such as E. F. Benson, only the short stories are of outstanding merit. At novel length they tend to bog down considerably or else descend into tedious gothicisms & inessential asides. But Falkner's THE LOST STRADIVARIUS is a perfect gem of a novel, a timeless tale of weird & awe inspiring ghostliness, easily in the top ten of Victorian ghost novels, in an unfailingly elegant style.
-Jessica Amanda Salmonson, Violet Books
John Meade Falkner did not seem to consider novel-writing the most important thing in his life; he wrote three novels in a matter of less than ten years, and spend the rest of his life as an antiquarian, a librarian, and the top executive of a major munitions manufacturing firm. But the three Gothic novels he wrote are all one of a kind and were written with an incredible sense of surety and deftness. THE LOST STRADIVARIUS is a beautifully constructed ghost story, concerning a Victorian Oxford student and music aficionado who discovers an eighteenth-century Italian musical suite; when he plays a certain section of it with his friend in his rooms in Magdalen Hall, a presence seems to stir around them. This only starts the tale, which manages to synthesize a fantastic array of fin-de-siecle concerns, including homoeroticism (as Tom Paulin suggests in his brief foreword to this nice little Hesperus edition, the figure of Oscar Wilde surely haunts this work as much as the fictional ghost of Adrian Temple), decadence, anti-Catholicism, and Paterian aestheticism. The great pleasures of Falkner's fiction are his striking ability to convey atmosphere and his precocious gift for showing and not telling when it comes to character and suspense.
J. Meade Falkner is somewhat of a cult figure amongst a small group of Victorian fiction aficionados. Unfortunately, the Lost Stradivarius is not the best place to start in order to get a sense of why Falkner is so revered. The book isn't bad, per se, but it's absolutely typical for its genre, and somewhat run-of-the-mill.
The novella is a classic Victorian ghost story, detailing the obsession and gradual madness of a young student with the titular violin. There's not a lot more to it than that, and fans of the genre will be immediately familiar with this type of ghost story.
Sadly, the book rarely rises above average. Falkner's prose is fine, but his narrator is the protagonist's somewhat starchy and naive sister, so we never get the chance to enter the subjective horror on display, and end up frustratingly ignorant as to the most interesting aspects of the haunting. Her voice also grates after a while.
Other than a strong repulsion/fascination with catholicism, which is portrayed as little better than an orgiastic pagan cult at times, there's not much that stands out to this book beyond the general quality of the Hesperus edition, printed on high quality paper with good binding.
If you are interested in Victorian tales of obsession there are far better stories to be had in the various ghost anthologies floating about. In particular, Oliver Onions' The Beckoning Fair One basically accomplishes everything this tale sets out to, in a far more eerie and interesting fashion.
TRIPLE EXCELLENT!!!
I really enjoyed this book, especially the spooky atmosphere, the downward spiral of our main character, the refreshingly unique story - along with wonderful editing, correct spelling and such a fine use of the language... this one's a keeper in my collection.
This story of a haunted young man plays out in 19th Century England, told as a retrospective through the eyes of a sister and a dear friend. The story is written in a somewhat antiquated manner, but not so much that it is hard to understand or follow. It lost a star because there were some loose ends / continuity questions left hanging. Such a shame he never wrote a sequel to tie up those loose ends.
Written in 1895, The Lost Stradivarius employs the elegant language of the nobles of that era. Combining an English ghost story and a valuable artifact discovered, it portrays the excitement of both and also a warnings. Unearned and accidental wealth will change the person receiving whatever that wealth is ascribed to. Usually that change is not for the better. Great read.
Read this book in one afternoon sitting, really enthalled with story line. Imagine relatives and an adult friend telling you about the Father you never met. Hard to imagine this author only wrote 3 books for publication but given all of the other things he accomplished in his life it is understandable. Meant to excell at everything he set his hand and mind to accomplish and did so! You will have to work through turn of the century phrases and terms but then that is the case with any book from this era. In addition to everything else it was FREE! I am older (66) so might appreciate this more than younger generation but will meet all the desires of any avid reader.
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